Sabtu, 29 Oktober 2011

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Becoming a Critically Reflective Teacher, by Stephen D. Brookfield

1996 Winner of the Cyril O. Houle World Award for Literature in Adult Education

"[Brookfield] gently demystifies critically reflective learning and teaching with dozens of practical examples from the classroom in different scholarly fields. Lucid, wise, jargon-free, personal and fluently written. Required reading for educators of adults everywhere and for all faculty development programs."
-- Jack Mezirow, emeritus professor of adult education, Teachers College, Columbia University

Building on the insights of his highly acclaimed earlier work, The Skillful Teacher, and applying the principles of adult learning, Brookfield thoughtfully guides teachers through the processes of becoming critically reflective about teaching, confronting the contradictions involved in creating democratic classrooms, and using critical reflection as a tool for ongoing personal and professional development.

  • Sales Rank: #136186 in Books
  • Brand: Brand: Jossey-Bass
  • Published on: 1995-10-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.30" h x 1.10" w x 6.15" l, 1.32 pounds
  • Binding: Hardcover
  • 320 pages
Features
  • Used Book in Good Condition

Review
"Brookfield, a leading adult educator, has written by far the most compelling, informed perceptive, and sensible book available on how faculty in higher education may develop themselves as educators and foster transformative learning by their students through the use of critical reflection, He gently demystifies critically reflective learning and teaching with dozens of practical examples from the classroom in different scholarly fields. Lucid, wise, jargon-free, personal and fluently written. Required Reading for educators of adults everywhere and for all faculty development programs." --?Jack Mezirow, emeritus professor of adult education, Teachers College, Columbia University

"Brookfield takes a fresh look at the application of critical reflection to teaching....The reader will find both the familiar and the new covered in this storehouse of insightful, innovative, and practical critically reflective techniques....Most appealing is Brookfield's openness to how the various techniques may be individually tailored by educators to fit unique situations. This makes for a book that is not only richly theory-based, but one that is also critically important for the educator's personal and professional development." --Adult Learning

"Becoming a Critically Reflective Teacher encourages faculty to question academic posturing, accept students' challenges, and face the textured reality of the teaching/learning relationship.... Brookfield provides a colorful map to guide those faculty who enjoy critical reflection. His own story makes for lively reading." --Laura L.B. Border, director, Graduate Teacher Program and the Colorado Preparing Future Faculty Network, University of Colorado, Boulder, J. Staff, Program, & Organization Development

From the Inside Flap
Building on the insights of his highly acclaimed earlier work, The Skillful Teacher, Stephen D. Brookfield offers a very personal and accessible guide to how faculty at any level and across all disciplines can improve their teaching. Applying the principles of adult learning, Brookfield thoughtfully guides teachers through the processes of becoming critically reflective about teaching, confronting the contradictions involved in creating democratic classrooms and using critical reflection as a tool for ongoing personal and professional development.Using numerous examples, Brookfield describes what critical reflection is and why it is so important. He tells how teachers can reframe their teaching by viewing their practice through four distinctive lenses: their autobiographies as teachers and learners, their students' eyes, their colleagues' perceptions, and theoretical literature. He includes specific advice on using practical approaches to critical reflection such as teaching diaries, role model profiles, participant learning portfolios, structured critical conversation. the Critical Incident Classroom Questionnaire, the Good Practices Audit, and more. He explains how the literature of educational research and philosophy can be used as an aid to, rather than an inhibitor of, critical reflection. And he discusses how to create a campus culture that supports critically reflective teaching.

From the Back Cover
Building on the insights of his highly accalimed earlier work, The Skillful Teacher, Stephen D. Brookfield offers a very personal and accessible guide to how faculty at any level and across all disciplines can improve their teaching abilities. Applying the principles of adult learning, Brookfield thoughtfully guides teachers through the processes of becoming critically reflective about teaching, confronting the contradictions involved in creating democratic classrooms and using critical reflection as a tool for ongoing personal and professional development. Using numerous examples, Brookfield describes what critical reflection is and why it is so important.

Most helpful customer reviews

15 of 16 people found the following review helpful.
He walks his talk
By Jennie Pearce
Having been in one of Brookfield's workshops I must I think this book captures a lot of what he is about. There are lots of teacher educators out there who write about how important it is to be reflective, or to think critically, without it ever showing in their work. This is something I'm frankly OD'd in in staff developments I've had to go through. But Stephen truly walks his talk. Everything I like about this book I found in his workshop.

One of this book's strengths is that it's very easy to follow. I found it very easy to read and several of the examples could have come from my own classes. The four lenses on practice are things I keep constantly in mind these days having read the book carefully and also seen how Stephen uses them in his workshop. I also found the book extremely helpful in terms of giving me specific techniques. I've always basically agreed that reflection is useful (even if I'm fed up with people telling me) and would improve my teaching but I had little concrete idea about how to go about it. Each of the lenses Stephen examines has lots of techniques and exercises attached to it. One of the most useful was the critical incident questionnaire he explains in the students' eyes lens. I started to use this to evaluate my classes and I've learned lots of surprising things were going on that I had no clue about.

Finally, I appreciated the linking of critical reflection to something a little stronger than just being thoughtful. I'd never really thought about a focus for reflection before, certainly never thought about power dynamics being a focus. And the staff developments I've gone to never really deal with it. This book really got clear in my mind what my own power was as a teacher. I've always known I had it but never really been up front about it. I feel much more comfortable with this now and am ready to make sure my students think I'm using it properly.

60 of 73 people found the following review helpful.
An instant classic in adult education.
By A Customer
Brookfield has done it again. An instant classic in adult education. In accessible language and with an uncanny ability to relate humorous and telling anecdotes, Brookfield provides the best available overview of reflective teaching, especially with adults. His notion that we learn to become reflective teachers through the four key lenses of self, students, colleagues, and theory is an important contribution. But what he does to explain how we learn through these four lenses is revealing and insightful. A good read. A lasting contribution.

7 of 8 people found the following review helpful.
Faulty Foundation, but Excellent Conclusions!
By Anthony M. Faaborg
I would normally say that a book such as this should fail because of its faulty premises; however, Brookfield has managed to deliever an inspiring message in spite of the fact that his premises are, quite simply, wrong.

First, the good:

Brookfield offers 4 lenses for teachers to use as they become critically reflective about their own teaching practices: an autobiographical lens, the lens of colleagues, and of students, and of theory and research. Brookfield gives quite a bit of detail in both what these lenses mean and how to use them. Taken as a whole, the lenses offer a chance for true transformation, as teachers are exposed to the whole of themselves and how they can realize their goals (and dreams) by improving their practice. The book is no less than a handbook for excellence, offered in the form of 4 "tools" to achieve that excellence.

Now, the bad:

Brookfield never defines what "Critically Reflective" really means! He talks about it, and he describes what happens when one becomes critically reflective, but he never comes out and describes the central term that is the title of his book!

Brookfield also appears to be wholely focused on the notion that critical reflection involves finding out how power relationships manifest in the classroom. This miopic viewpoint becomes pedantic in the first chapters and does a dis-service to Brookfield's aim.

Finally, Brookfield totally misuses the terms "assumption" and "hegemony." According to Brookfield ssumptions are all about power, and hegemonies are ideas that are taken as true but are later found to be detrimental to learning efforts. These definitions are FAR from the definitions accepted in academe and even in real life; nevertheless Brookfield bases his argument for the need for critical reflection on these faulty premises.

HOWEVER, as I stated at the outset, in peculiar fashion he has still crafted a book that is useful and even transformative, for those who take the message to heart. Just don't use the terms in the first couple of chapters as Brookfield would advise you to use them!

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Stunning illustrations depict an original fantasy story in this captivating graphic novel. As Rohan, a young Japanese manga artist, is drawing, he meets a mysterious, beautiful woman who tells him of a cursed 200-year-old painting. The painting was created using the blackest ink ever known, which came from a 1,000-year-old tree that the painter had cut down without the approval of the Emperor. The painter was executed for this, but the painting was saved from destruction by a curator of the Louvre. A decade later, Rohan visits Paris and asks the museum to unearth the painting from deep within its archives—but he is completely unprepared for the power of the curse he has unleashed.

  • Sales Rank: #24388 in Books
  • Published on: 2012-04-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.50" h x 7.25" w x .50" l, 1.30 pounds
  • Binding: Hardcover
  • 128 pages

Review
"Mischievous humor. A great find."  —Library Journal on the previous books in the series

"A great story of a hearing-impaired young man trying to find his way."  —Miami Herald on the previous books in the series

"It's a straightforward, beautifully drawn, and delicately colored tale, filled with emotional bursts, sudden death, and the scent of eternity. It's also a great deal of fun." —Foreword (June 2012)

"Wondrous insanity." —www.TCJ.com (The Comics Journal)

"A must read! With its attention to the artistic process and the almost INDIANA JONESesque mystery of an ancient relic, mixed with a little bit of Japanese fairy tale whimsy, Rohan at the Louvre is a truly unique reading experience." —www.AintItCool.com

"The previous . . . title in the Louvre's distinguished graphic novel series, The Sky Over the Louvre, set an even higher standard than the first three high quality titles, and Araki's gorgeous ghost story easily matches them all for plot, drawing chops and emotional gut-punch. This excellent volume is recommended for fans of extreme manga artishness and for horror otaku." —Library Journal (May 2012)

"Araki's book will be relished by readers who are fans of the manga format, especially those interested in art." —VOYA magazine

"Published in a large hardcover format this unique title should find an audience. Should be popular with manga fans." —School Library Journal (July 2012)

About the Author
Hirohiko Araki is a manga artist and the author of the JoJo’s Bizarre Adventure series and the Steel Ball Run series, both of which have been serialized in the popular weekly magazine Shonen Jump.

Most helpful customer reviews

24 of 24 people found the following review helpful.
Better for people who already like Araki's works, but an interesting and worthwhile comic
By Diana D.
I'm a huge fan of Hirohiko Araki and his comics, so when I heard that Rohan at the Louvre was being published in English, there was no question I'd buy it; in fact, I already had it in the Japanese magazine serialization and the hardcover French edition. It's a five-star for me, or for several other groups of people, but there are some problems with this volume regardless.

It's a gorgeous volume; the hardcover binding isn't too hard or too flimsy-feeling, like a nicer picture book. The printing quality is excellent, and while the author is known and loved for occasionally garish color use, the beautiful coloration on the interior pages is soft and dreamy, with colors reminiscent of early 1900s children's books accented with splashes of blacks and brights. If you're a fan of Hirohiko Araki's art, you want this regardless of whether or not you like the story as the single most inexpensive "artbook" you'll ever find.

The story is a decent standalone; its themes are similar to some of the other Rohan short story one-shots that haven't been published in English, but that's not necessarily a drawback. What is a drawback is that you really will get far more out of this comic if you have already read some of Araki's other work including Rohan Kishibe as a character, none of which has ever been published in English. There's a charming scene where three characters from Diamond is Unbreakable show up to say a few lines; for a dedicated Araki fan this is a wonderful shout-out, but for someone who hasn't read those comics, you might be left wondering who these people are. In fact, while Rohan's "ability" is explained very simply in the first few pages, its name is never given; if you're a pre-existing fan you might know that it's Heaven's Door, but when Rohan later refers to it AS "Heaven's Door", it's not explained, nor are some of the mechanics of how Heaven's Door works which wind up being crucial to the comic. I loaned my copy to someone who had no previous knowledge of Araki's works, and while they enjoyed it, they were a bit confused. Even so, it's a nice self-contained story, and the Louvre setting elements add to the story rather than feeling like they were shoehorned in just for product placement.

As far as the English editing and translation goes... The translation itself is quite good; it preserves the distinctive speaking style of the original comic while still being readable (delightfully so, in fact) in English, and the section in the back about the Louvre collections is a good primer for those who've never been there. However, as a long-time manga reader some of the editing is a bit sub-par. There's a few typos near the end, and some rather dubious typeface usage that I really don't agree with. The fact that the dialogue and the SFX subtitles are all set in the same typeface is a bit jarring as well.

I'd recommend this to anybody who enjoys the art of Hirohiko Araki, or to anybody with an interest both in artwork and in horror stories (because this IS a rather creepy horror story, with some pages full of strange gore). It isn't a perfect book, nor is it a perfect edition, but it's still good enough to have a place on my shelf for years.

7 of 7 people found the following review helpful.
The usual Araki greatness, but larger pages could've benefited from more color.
By romevi
I will preface by saying that this book assumes you're caught up with Jojo up to the end of the fourth arc. Being that this book is released by the Louvre publishing company, it's readily available for print at the museum and online shops. But passers-by may be confused by its plot, if they become intrigued by the artwork alone. And they should; Araki's stuff is some of the best and most detailed in the manga world. Sometimes, however, it can be TOO detailed for the smaller manga panels, but in this large paper print it works handsomely.

As many readers familiar with the arcs may guess, Rohan at the Louvre is its own side story that has nothing to do with the main series. Rohan's adventure happens in two parts. The first half seems to happen before the events in Jojo's Bizarre Adventure. The second half happens either during or after the events of the fourth arc, so it seems.

The story itself is very interesting and captivating. I'm usually not a fan of side stories because I feel they're not as polished or intricate as the main story. Readers are already so heavily invested in the main series that side stories usually get in the way, often harming a character by delving too much into their background for their own good. But this side story is great, and really can act as one of the subplots of the main story, since there are so many anyway.

As an amateur author, I admire Araki's mastery over his characters. He's created hundreds, and each has their own unique personality setting them apart from the rest; even the smallest of characters who appear for no more than a few panels have some depth.
The artwork is gorgeous, as you'd expect from anything by Araki. Glorious poses are all there, but I feel that sometimes some of the coloring looks either washed out or like there's some bleeding. With such freedom of page size, Araki could've benefited from giving his pages more color, or else contracting someone to do it for him.

Of course, the plot takes extreme liberties with its environment. Seeing as Araki has infiltrated the Louvre and its secrets, the publishing company saw fit to add an addendum at the end that highlights that the work is entirely fictional, as well as its depiction of the museum. Like we didn't already know that.
Ah, well. The museum's gotta protect its integrity, even if readers of its published works already know fact from fiction.

A great and must-read for fans of Araki. People unfamiliar with the source material may be confused--actually, they WILL be confused--but the artwork itself is enough to admire. Still, I highly, HIGHLY recommend newbies to read Jojo's Bizarre Adventure.
Unfortunately, only the third arc has been translated (thanks to Viz), but there are dedicated fan "scanlations" (scanned translations) that have brought Araki's masterwork to western audiences. I won't mention any sites due to possible legal conflicts, but they exist. Use your preferred search engine to find them. They're worth the read and time-suck.

6 of 6 people found the following review helpful.
Rohan Rocks!
By Tim Lasiuta
I loved this book. "Rohan at the Louvre" reminds me of a Poe poem brought to life, almost the Casque of Amontilado, this time, the Art of Araki brings the same intense feeling of dread, release, and love lost.

The art is stunning, and the story is evocative of much, much, more. The question of what art is, is central to the story. What emotion does art evoke in its' viewers? What inspired the art? What part does the art play in history? The last painting by Nizaemon was so much more, was a mystery unlike any other. Reading this reminds me of the Black Museum radio series, actually, this could be an episode of such.

The book is a good example of exactly why NBM has risen to the top of the graphic novel realm. Their Papercutz products are award winning, and these should be too.

This comes highly recommended for art (almost Gil Kanish), story telling, and the international favor it brings to our book shelves.

Tim Lasiuta

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Viviamo in tempi incerti, di crisi, pericolosi. Come possiamo confrontarci con i rischi di questo periodo ? La Preparedness può essere la risposta: si tratta di " anticipare i potenziali problemi e cercare di eliminarli prima che si presentino, approfittando di poter ancora agire in uno stato di serenità emotiva". Tramite la Preparedness vogliamo instillare sicurezza e serenità al singolo e alla famiglia provvedendo a pianificare in maniera scientifica un futuro incerto. In questo manuale cerchiamo di impostare un metodo di approccio al rischio usando tre esempi pratici di vita vissuta. Parliamo del crollo finanziario a noi tutti noto e del modo di sfuggire alla sua morsa. Parliamo di disastri naturali ormai all'ordine del giorno in Italia. Parliamo di criminalità e sicurezza della propria abitazione. Perché proprio questi tre temi e non altri ? In realtà la scelta di tre rischi così diversi uno dall'altro dimostra la nostra volontà di insegnare un metodo più che dare consigli pratici. Questo non è un libro di finanza, né di scienza dei terremoti, né di autodifesa. Eppure i tre temi vengono trattati con gli stessi strumenti e alla luce della Preparedness, vero filo conduttore di questo nostro lavoro. Nella prima parte di questo libro ci si occupa della Preparedness applicabile alla nostra vita quotidiana protetta dalle garanzie di uno Stato sociale, fondandosi su certezze garantite da una economia consolidata, da forze dell’ordine efficienti, da un’organizzazione sanitaria capillare. Nella seconda allarghiamo gli orizzonti di questi scenari verso il Survivalism cioè l’insieme delle tecniche di sopravvivenza in situazioni ostili. Il nostro approccio approfondisce la sopravvivenza in scenari di crisi della Società organizzata. Le sicurezze che ci offre la moderna società potrebbero sospendersi con conseguenti forti contraccolpi sullo stile di vita a cui siamo abituati. "Prima dell'Emergenza" è forse l'unico libro in Italia che parli di questa tematica con approccio scientifico. IL RISK MANAGEMENT LA PERCEZIONE DEL RISCHIO PSICOLOGIA DEL DISASTRO EMERGENCY MANAGEMENT-PERSONAL PREPAREDNESS RISCHIO CRISI ECONOMICA EVENTO: CROLLO DELLE BORSE IN REGIME DI DEFLAZIONE/IPERINFLAZIONE INVESTIMENTI IN UNO SCENARIO DI CROLLO DELLE BORSE IN REGIME DI CRISI DEFLATTIVA e INFLATTIVA LA ALPHA STRATEGY IL PESO DEL DEBITO FAMILIARE DURANTE UNA CRISI FINANZIARIA RISCHIO DISASTRO NATURALE TERREMOTO IN ZONA URBANA PRIMA DEL TERREMOTO Fare un piano di evacuazione/ ricovero sicuro Piano di evacuazione: quando partire e con che mezzo ? Preparare il materiale di emergenza/ piano di comunicazione di emergenza Un Kit di emergenza in casa Un kit di fuga (bug-out kit ) Un kit nella vettura Bug-out Un kit a medio termine da tenere nel rifugio DURANTE IL TERREMOTO: TECNICHE DI SOPRAVVIVENZA DURANTE IL SISMA DOPO IL TERREMOTO RISCHIO ONDATA DI CRIMINALITÀ IL SENSO DI (IN)SICUREZZA DEGLI ITALIANI DEFINIZIONE DI ASSALTO TRA LE MURA DOMESTICHE ANALISI DELL’IMPATTO DI UN ASSALTO ALL’INTERNO DELLE MURA DOMESTICHE PARTE PRIMA: FACCIAMO IL POSSIBILE PER TENERLI FUORI DI CASA La discrezione Cosa nota il criminale Prevenzione tramite la riprogettazione della casa Il CPED Le gated communities PARTE SECONDA: … PERÒ SE ENTRANO FACCIAMO TUTTO IL POSSIBILE PER SALVARE LA NOSTRA FAMIGLIA. Panic room Il Veicolo per il Bug-out Armi non letali Armi letali LE ARMI DA DIFESA ABITATIVA Elementi di difesa abitativa con armi da fuoco IL SURVIVALISM LA “ FINE DEL MONDO COME LO CONOSCIAMO “ IN TRE SCENARI DIVERSI Il cardine: la rete elettrica La fragilità della catena distributiva SCEGLIERE E ORGANIZZARE IL RETREAT ACQUA: CONSERVAZIONE E TRATTAMENTO I COMBUSTIBILI E LA LORO CONSERVAZIONE LA CONSERVAZIONE DEL CIBO SISTEMI DI TELECOMUNICAZIONI ARMI DA SOPRAVVIVENZA I lavori più ricercati dopo “la fine del mondo come lo conosciamo” L’APPROCCIO ITALIANO: IL RITORNO ALLA NATURA In fuga dall’inferno La decrescita, gli eco-villaggi

  • Published on: 2014-09-08
  • Original language: Italian
  • Number of items: 1
  • Dimensions: 11.00" h x .63" w x 8.50" l, 1.38 pounds
  • Binding: Paperback
  • 266 pages

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